《文艺复兴解锁》里，Januszczak像个风趣的老导游，带着观众逛遍了达芬奇、米开朗基罗等大师的博物馆。如果你不仅爱看热闹，更想看懂门道，绝对不能错过这场智力与审美并存的盛宴。他一边疯跑一边吐槽，用最夸张的表演揭开大师们不为人知的一面。对于西方艺术毫无概念的“小白”来说，这绝对是一部入坑神作。艺术爱好者绝对不能错过，看老外怎么用最野的解读，把“高雅”的文艺复兴变成一场狂欢。Januszczak导演风格极其独特，他像位打破次元壁的闯入者，化身“妙语连珠的导游”，手持麦克风穿梭在画布间，把沉闷的历史讲得活色生香。

　　According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

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